THE LEGEND ABOUT THE END OF THE WORLD
The play deals with the problem of creating life on top of fresh ruins- by the vision of three modern women through whom archetypes from different cultures in the world are refracted. The three women remain on the ruins of the temple – it can be a church of any religion, a library, their home or the interior of themselves. They try to create a life on these ruins, to preserve and acquire the knowledge that will guide them, despite obstacles. [1995]
They remember their past, the traditions, legends and myths of various cultures. They seek to remind themselves of the hidden meaning of colors and gestures, songs, dances, searching for a way to continue Life. Archetypal triads from mythology and literature are reflected through these three modern women: Cassandra-Arizba-Panthesilea; Three Moires: past – present – future; Goddesses Kali-Shakti-Durga; and Clara-Blanca-Alba from the “House of Ghosts”.
LEGEND OF THE END OF THE WORLD has been performed in various parts of Yugoslavia as well as: Denmark, Sweden, Great Britain (Edinburgh Festival), Romania (International Festival in Sibiu), Greece and the USA (Arts Festival Atlanta, 7 Stages Theater).
“In one enigmatically beautiful image, they pour out bags of salt to form a massive hieroglyph round a miniature town square, itself harboring their treasured photographs. It’s an image of desolation, isolation, yet somehow of hope, and out of the anguish emerges a forceful plea for life.”
– Glasgow Herald (8/30/1995)
“This is DAH Theater performing “The Legend About the End of the World,”, an exotic mix of mythological storytelling and primal dance-theater. Many of the themes reflect the confusion and madness of the war in the former Yugoslavia, the troupe’s home.” – Amber Scott (Austin American Statesman, 8/14/1996)